Joseph Horowitz’s captivating novel of the Gilded Age comes alive through the story of Anton Seidl, an overlooked genius of the Richard Wagner school. In The Disciple, Horowitz weaves the vibrant world of American classical music at the dawn of the 20th century into a compelling narrative commanding in detail. He yet again challenges our mounting cultural amnesia.—Thomas Hampson Joseph Horowitz’s knowledge of the great Wagnerian conductor Anton Seidl—one of the most charismatic figures of the Gilded Age—is second to none. He also possesses a remarkable capacity to weave factual information into a compelling fictional narrative. I learned a lot about Seidl, about the social milieu that he seduced, and about the thrilling musical life that he dominated.—Barry Millington, chief music critic for The London Evening Standard and editor of The Wagner Journal The Disciple will astonish readers with its insights into an extraordinary but little-known American artistic epoch. The re-creation of Antonín Dvořák is absolutely magical—poetic, tender, funny, irresistible. It evinces Horowitz’s love for the man and his music, brought to life in the most fascinating and beautiful way.—JoAnn Falletta, Music Director, the Buffalo Philharmonic Orchestra For several decades now, Joseph Horowitz has been our Cicerone through the delightfully vibrant scenery of classical music in Gilded Age America. Such is his love for that almost forgotten chapter of our history that he felt moved to transpose his unmatched knowledge of the era to the more easily accessible plane of fiction. Much of the attractiveness and fascination of this novel rests on the charismatic and enigmatic figure of Anton Seidl, the Hungarian-born conductor who became Richard Wagner’s disciple and emissary to America. The Disciple moves dexterously among New York, Bayreuth, and Brooklyn, offering intriguing glimpses of a short-lived but memorable rendezvous of Wagnerism and Feminism. Those who love the cultural history of New York will come away from The Disciple both enriched and enlightened.—Hans Rudolf Vaget, Shedd Professor of German Studies and Comparative Literature Emeritus, Smith College
